Since our hosts have seen three Disney movies called "The Jungle Book" let's start by clarifying that yes, this is a theatrically released sequel to the 1967 animated classic, made thirty-six years after the original. And much like the other animated sequels of this era, it's basically the same movie all over again in reverse. Quite literally, this is the story of Mowgli returning to the jungle and singing The Bare Necessities ad nauseum before a confrontation with the blood-thirsty Shere Khan. It's a bold-faced cash grab more than it is a movie, but at least it provokes some interesting discussion from our hosts as to how far (or not far) the company has come.

Now wait just a second, D-Lovers. Before you give this episode a pass because it's clear pretty much from the title that it's gonna be another one of those fake-documentary animal movies, let us try and convince you to give it a listen. First...er, well this one is about a wolf, that's pretty different! And uh, there's some pretty unexpected animal fights - not that the fight themselves were unexpected obviously, but the kinds of animals involved in the fights are pretty exotic. Oh, and Jill tells a pretty great story about the history of the guy who wrote the book this movie is based on. So yeah, just because we've watched what feels like dozens of these over the past few months doesn't mean these episodes aren't worth listening to, we promise. 

What's a major film studio largely known for its cutting-edge and industry-defining animation to do when they are no longer top dog? Take a deep look inwards and rebuild from the ground up? Poach the hottest talent through attractive offers or corporate buy-outs? Well, if you're Disney in the 2000s, you just boldly rip-off another successful animated film by making THE WILD, a movie that two out of our three hosts can confirm is just a worse version of the Dreamworks movie Madagascar from a few years earlier. A much, much worse version. 

Ah, the internet. Without it, our hosts wouldn't even be here talking to all you D-Lovers out there. A hub of easily accessible knowledge, the history of humanity writ across pages and recorded in vdieo for anyone to learn from. Well, that's the idealized version, anyway. The reality, and the one spotlighted in RALPH BREAKS THE INTERNET, is that the internet is mostly used to harvest your data and sell you shit megacorporations (like, say, Disney) make you think you need. A place where mass approval can be converted into currency. And where your self worth becomes intrinsically tied to to the way people see you. It's an...interesting choice as a setting for a family film.