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We Want The D

Disney films have shaped and supported childhoods for over 75 years. But when you watch them as adults there are things that make you want to unfreeze Walt's head and say, "What the hell, guy?!". Tune in each week to hear Vicky, Nolan, and Jill rip apart, analyse, and laugh at beloved childhood classics from the Disney catalogue.
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Now displaying: August, 2021
Aug 19, 2021

For our special Minnie Mouse-isode edition of our summer series, we take a look at the man behind the Muppets. From humble beginnings to picking up puppetry on a whim to breakthroughs in children's entertainment to a highly valued and sought-after multi-media company, Jim Henson's success is undeniable. But it's his attitude and philosophies that were imbued in his work that has allowed the Muppets to thrive even beyond his untimely passing. We hope you enjoy this celebration of Jim and his collaborators.

Aug 12, 2021

Go back a couple hundred episodes and you'll hear our rather lukewarm reception to the 90s live action remake of 101 Dalmatians. Take all of our comments and criticisms of that move and add one degree, and you basically have our take on 102 DALMATIANS. The leads are blander (and stupider), Glenn Close is more unhinged (and her costuming more fabulous), and the hijinks are zanier. But, the plot is basically the same, which isn't a surprise - if a movie about dog murder worked once, surely it can work again!

Aug 12, 2021

Go back a couple hundred episodes and you'll hear our rather lukewarm reception to the 90s live action remake of 101 Dalmatians. Take all of our comments and criticisms of that move and add one degree, and you basically have our take on 102 DALMATIANS. The leads are blander (and stupider), Glenn Close is more unhinged (and her costuming more fabulous), and the hijinks are zanier. But, the plot is basically the same, which isn't a surprise - if a movie about dog murder worked once, surely it can work again!

Aug 5, 2021

We've seen enough Disney westerns to think we've seen it all - singing cowboys, spliced-in nature footage, white people dressed up as Indigenous people, etc. And a lot of that stuff is still present and accounted for in THE WILD COUNTRY. But this particular western takes itself so seriously and uses the genre's tropes and iconography so well that we have no choice to declare it the best Disney western we've seen so far. Faint praise, perhaps, but praise nonetheless.

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